I am fascinated by texture on cloth. When I create a piece I hope all who see my quilts will want to reach out and touch them (and I don't mind if you do). My favorite embellishment to use is hand dyed silk velvets. They are rich, add a shimmer and change in value when viewed from different angles. Here's a quick tutorial on the technique I developed for raw edge velvet appliqué..
Start by tracing your design backwards on a lightweight fusible interfacing, freezer paper or paper backed fusible product like Pellon # 805 Wonder Under or Steam A Seam 2. In this case I am using a lightweight fusible so the fabric continues to behave like fabric. Sometimes having multiple layers of fabric fused together can add a look of stiffness to a finished quilt. Iron the fusible to the wrong side of the bottom layer of fabric. You can trim your backing fabric at this time (like the photo above) or leave the excess fabric around the edges to hold onto while you machine appliqué.
Pin the wrong side of the velvet on the bias to the right side of the bottom fabric. I like to use fine silk pins. Placing the velvet on the bias will reduce fraying when your quilt top is handled.
Stitch the velvet in place from the back side following the stitching lines you drew earlier. Be sure to lock your stitches in place when you start and stop.
Remove the pins once the stitching has been completed. Using sharp scissors carefully trim the excess velvet away leaving at least a 16th of an inch of velvet outside the stitching line. You may remove the freezer paper or fusible paper backing at this time or leave it on the back of your piece to keep the raw edges of your base fabric stable until you are ready to stitch or fuse this piece in place.
Because the velvet is sewn on the bias you can leave the raw edges of the velvet exposed in some circumstances. The first photo in this tutorial is of my Mandala art quilt. I have it framed and hanging on a wall in my studio.
The quilt I am currently working on will travel with me when I am vending at quilt shows. For this project I am using a satin stitch to overcast the edges of the velvet. Using a thread that is similar to the velvet color to overcast the edges will help to mask stray fibers of velvet.
I hope I have encouraged you to expand your fiber horizons. I'd love to hear any comments you have on this tutorial.
For those of you waiting for
fresh hand dyed velvets I should have them ready for sale tomorrow. I am in the last stages of rinsing and just need to test the velvets to make sure the residual dyes have been removed. I will send you a message when they are listed in my
Dye Candy shop.
Have a great weekend! Chris